Greg Osby night 2

Saxophonist, composer, producer and educator Greg Osby has made an indelible mark on contemporary instrumental music as a leader of his own ensembles and as a guest artist with other acclaimed groups for the past 35 years. Highly regarded for his insightful and innovative approach to composition and performance, Osby is an inspired voice among the ranks of improvising musicians. He has earned numerous awards and critical acclaim for his recorded works and passionate live appearances and has been recognized by The New York Times as one of the "most provocative musical thinkers of his generation".

Born and reared in St. Louis, Greg Osby began his professional music career in 1975, after three years of private studies on clarinet, flute and alto saxophone. Coming from such a vibrant and musical city, Osby showed an early interest in the performing arts and spent his years in secondary school with a heavy involvement in Blues and Jazz groups. In 1978 Osby furthered his musical education at Howard University (Washington, D.C.) where he majored in Jazz Studies. He continued his studies at the Berklee College of Music (Boston, MA) from 1980 to 1982, where he majored in Jazz composition and arranging.

Upon relocating to New York in early 1983, Osby quickly established himself as a notable and in demand sideman for artists as varied as Herbie Hancock, Dizzy Gillespie, Jack DeJohnette, Andrew Hill, Freddie Hubbard, Muhal Richard Abrams, Woody Shaw, Jim Hall, Chick Corea, The Grateful Dead as well as with many other outstanding new music ensembles in the New York area. In addition to his rigorous performance schedule, Osby devotes a generous amount of his time to educational activities. Mr. Osby is also a founding member of the innovative M-BASE music collective.

After recording 3 projects for JMT/Polygram, Osby signed with Blue Note Records in 1990 and recorded fifteen outstanding recordings for that label as a leader. In 2007, Osby launched his own label, "Inner Circle Music", which serves as a platform for many of today's brightest artists. In his words: "I'd like to be regarded as provocateur and an experimentalist. What I do is based upon the greater aspects of sound, structure, and science as well as intuition, intellect and the human spirit."